Wallis Simpson: Edward VIII’s Wife and the 20th Century’s Most Iconic Jewelry

Emma Caldwell
June 18, 2026

Edward VIII, in 1936, changed the course of the British monarchy by voluntarily renouncing the throne to marry Wallis Simpson, an American divorced woman. A constitutional crisis that forced the father of Elizabeth II (King George VI) to assume the crown and that the former king of England would take the title of Duke of Windsor. “I have found it impossible to carry the heavy burden of responsibility and perform my duties as king as I would like to do without the help of the woman I love,” he said upon abdicating.

But, who was she? She was born as Bessie Wallis Warfield on June 19, 1896 in a country house in a town in Pennsylvania, and from a young age she was known for always being impeccably dressed. Her previous relationships before Edward and the idyll she lived with him made her unwelcome in the British monarchy and after marrying, her life consisted of reading, doing some sports, throwing parties, brushing her hair and enjoying jewelry. Yes, these latter were her other great love.

Wallis was very interested in fashion and spent a great deal of her time shaping her wardrobe. Mainbocher was her go-to designer and then Balenciaga; not far away, Dior and Déssès. In fact, Balenciaga created for her a blue that was not the famous ‘Wallis blue,’ but a darker shade, leaning toward violet, that accentuated her black hair and blue eyes.


Wallis Simpson with the pearl necklace (1950).

But, without a doubt, what made her stand out above other women of the era were her jewels, which were not merely adornments. They were symbols, memories, gestures of love and an extension of her own aesthetic language. Sophisticated, enigmatic and deeply elegant, she wore pieces with exquisite taste that have even gone down in history.

The Pearl Necklace She Inherited from Queen Mary

It is the case of the pearl necklace, which belonged to Queen Mary. It is a piece of 28 natural saltwater pearls, from the Persian Gulf or Western Australia, both known for high-quality pearls before the trade of natural pearls collapsed in the mid-20th century. Queen Mary, a lifelong collector of fine jewelry, passed the necklace to her son, King Edward VII. He, after his marriage in 1937, gave it to Wallis, who became a hallmark of her sophisticated style.


The pearl necklace was Wallis’s favorite jewelry.

For almost four decades, she wore it often, consolidating her association with her image. In 1950, the Duke of Edinburgh commissioned Cartier to create matching earrings that featured a large natural drop-shaped pearl, slightly baroque at 18.4 mm and weighing 190.60 grains. Covered with a diamond-set bell-shaped cap and a detachable clasp in the shape of a stirrup, it was also designed to adorn the necklace elegantly.

Another of the notable pieces in her jewelry box is the Toi et Moi bracelet, a Cartier ruby and diamond bracelet from 1937 that was a wedding gift from the Duke of Windsor on the occasion of their marriage. Or the heart-shaped brooch with the monogram “W” in emeralds, referencing the first letter of her name. Also from Cartier and dated 1957, it was a profoundly symbolic jewel linked to the Duchess’s identity.


The Cartier brooch with Wallis’s initial.

The Panther, a centerpiece in her jewelry

The duchess had in her possession two pieces shaped like this feline. There are many theories swirling around the choice of this animal; the most accepted one says that since 1478, the leopard’s head has crowned the royal crest of the London Town and has therefore been a symbol of the King of England. Therefore, it could have been a wink from Wallis to her husband.

The first of them is The Panther by Cartier (1952), an articulated panther bracelet of diamonds, onyx and emeralds that became one of the most iconic jewels of the 20th century. And the panther on a blue cabochon, one of the brooches most used by the duchess, in which the great feline of this pin appears crouching in a lifelike pose, ready to leap over the moon depicted on a large perfectly round star cabochon sapphire weighing 157.35 carats.


The Cartier Panther bracelet that was auctioned.

Not far behind is the amethyst and turquoise necklace, a bib-style model with diamonds. It features 29 step-cut amethysts, turquoise cabochons, and brilliant-cut diamonds, from which hangs a large heart-shaped amethyst at the front. Set in gold, the gemstones are suspended by a gold rope chain. It was one of the duchess’s favorites and she premiered it in June 1953 at the Gala Ball at the Orangerie in Versailles, with a strapless gown and matching earrings.

And the grand soir emeralds, a necklace of emeralds and diamonds with a central drop that was designed for use at grand gala nights. This last one was perfectly in tune with the impressive engagement ring. A piece with a large central emerald cut rectangular that weighed 19.77 carats and was flanked by baguette-cut diamonds. The design was secretly created by Jaques Cartier, director of the London branch, and was delivered to the future Duchess of Windsor on October 27, 1936.


Wallis with the engagement ring featuring a large emerald.

In this list there could be no lack of the flamingo-shaped brooch that the couple commissioned from Cartier in the late 1930s and which demonstrated the exotic nature of this marriage. Jeanne Toussaint, the jeweler, commissioned a piece that was encrusted with a large number of rubies and sapphires in its plumage and with a perfect and millimetric workmanship the body was covered with pavé diamonds.

After Wallis’s death in 1986, the jewels were sold at an auction held in Geneva in April 1987 and that reached a price of 31 million dollars. The final sale of the collection was unique: not only were they the jewels that had been chosen by a king to give to the woman he loved and for whom he abdicated a throne, but they also included, by their own right, some of the most important examples of the art and creativity of the most prestigious jewelers of the twentieth century.

Emma Caldwell
Emma Caldwell
I’m Clara Desrosiers, a writer and fashion editor based in Toronto. I founded Backdoor Toronto to explore the intersection of fashion, identity, and culture through honest storytelling. My work is driven by curiosity, community, and a love for the creative pulse that defines this city.