Entering Baudesson: the Spanish brand winning over Madrid’s women and Kelly Rutherford

Emma Caldwell
July 9, 2026

There are brands that are not born to resemble others, but to build their own universe. Baudesson belongs to that category of firms that are recognized more by a feeling than by a label: characterful fabrics, a mix of colors, unexpected textures, special silhouettes and a way of dressing that doesn’t seek to go unnoticed, but neither to fall into a costume.

In recent years, Spanish fashion has seen a new generation of brands with a very defined identity grow. Brands that do not compete by making soulless basics, but by creating garments that have something of a special piece, a beloved object and a small discovery. Baudesson, founded by sisters Anita and Patricia Baudesson, operates precisely in that territory: the realm of contemporary craftsmanship, the guest who doesn’t want to go like everyone else, and the woman who understands clothing as a form of expression. And its universe begins to travel beyond Spain. The brand has already aroused international interest and faces known faces such as Kelly Rutherford, an actress and one of the names most associated with the sophisticated and relaxed style of recent years, who have fallen in love with its designs.

What is Baudesson and how did the brand come about?

Although today Baudesson has a very defined aesthetic language, its origin was much more organic. “Baudesson was born almost by accident”, says Patricia. It all started when Anita, the brand’s creative director, began experimenting with the loom while studying Fashion Design. She was fascinated by the idea of being able to create her own fabric, and that interest ended up becoming her final degree project.

Patricia, who was then working in the corporate world, was the first investor in the project. “Five years later, here we are,” she summarizes. From the start, Anita was clear that she wanted to focus on the world of luxury and create something that couldn’t be found elsewhere. It all sprang from a passion for fabrics, for experimenting with materials, colors and textures, and for finding a unique language through the loom.


Las hermanas y fundadoras de la firma, Anita y Patricia Baudesson.

That starting point explains a lot of what Baudesson is today. It is not a brand built to fit into a specific trend nor to respond to an obvious market gap. “We never thought of building a brand to fit within the industry, but to create a coherent and authentic universe, that amused us and defined us,” explains Patricia.

If there were to be a way to explain Baudesson to someone who doesn’t yet know the brand, Patricia speaks of “a very personal universe, where design and fun coexist.” That fun appears in the mix of colors, textures and materials, but always treated from the study of pattern, technique and form.

That combination is, probably, one of the keys to the brand. Its garments have presence, but they are not whimsical. There is color, volume and texture, but behind it there is a clear intention that the clothing flatters and accompanies the body. It is not about making pieces flashy for the sake of drawing attention, but about creating garments with identity and meaning.

At a moment when many women seek different pieces for weddings, dinners, events or celebrations, Baudesson has found an interesting balance: making special clothing without it feeling complicated. Patricia sums it up very clearly: “We love creating special pieces, but we always think about how they will move, how they flatter, and how they make the woman wearing them feel.”

“We believe that a garment can have a lot of personality without looking like a disguise or being difficult,” adds Patricia. For the brand, luxury is not only in the appearance of a piece, but in how it makes the woman who wears it feel. “We also care a lot that the garments convey naturalness. That a woman feels distinctive, but also comfortable, confident and herself. That is where true luxury lies.”

The importance of fabric in Spanish brands

One of Baudesson’s identities is its work with its own fabric. In the brand, the creative process does not always begin in the same way. It can arise from a journey, from a color palette, from a character or even from an emotion. But from there, all that initial universe begins to take shape on the loom.

“The creative process begins with an inspiration that does not always come in the same way,” explains Patricia. After that, that inspiration takes shape and begins the weaving design on the loom, even before thinking about the pattern or the final design of the garment. It is those fabrics that guide the whole collection.


Uno de los diseños de la nueva colección de la firma Baudesson.

This gives the brand a recognizable identity. Its garments are not limited to applying a print or a trend to a known form, but arise from the material. That is why many of its pieces have that sense of a special object, a garment that could not be found the same elsewhere.

Spanish craftsmanship as true luxury

In the midst of the fast fashion era, Baudesson defends another pace. For the brand, craft production in Spain is not a marketing strategy, but a coherent way of creating. “It has great importance because it is part of what we are,” says Patricia.

The brand also asserts the pride of working from Spain. “We experience it with great pride because we are in love with our country,” she notes. Producing locally allows them to take care of every detail, maintain a close relationship with workshops and artisans and preserve crafts that had almost disappeared.

That process involves longer times than usual, but at Baudesson they understand it precisely as part of luxury. “All of this takes time that is usually longer than usual, but that seems to us the true luxury,” explains Patricia. In the face of speed, repetition and production without a bond, the brand bets on pieces that require time, skilled hands and a more conscious relationship with clothing.

A Spanish brand with international reach

Although Baudesson is born and produced from Spain, the brand looks increasingly outward. Patricia recognizes that they envision a “more international” Baudesson in the coming years and that they are already seeing a lot of interest outside of Spain.

That international interest fits with a new look at Spanish fashion: brands with recognizable aesthetics, careful production and a way of understanding luxury more linked to identity than to a logo. In Baudesson’s case, that differentiator lies in its fabrics, in the artisanal work and in a proposal that does not want to resemble any other.

But growing abroad does not mean losing focus. “We imagine growing in a natural way, without losing what we are,” explains Patricia. Beyond concrete categories, the brand wants to continue building a recognizable universe around its fabrics and its way of understanding fashion. “We do not want to be boxed into a type of occasion. We want to keep exciting, surprising and creating pieces with their own identity.”

What is the Baudesson woman like?

The Baudesson woman, according to Patricia, is “authentic, creative and very emotional”. She does not seek to resemble anyone, but to feel herself. She is a woman who values pieces with identity, enjoys discovering something special and understands fashion as a form of expression.

What is interesting is that this profile has broadened over time. At first, the brand imagined a more concrete woman, but its clients have shown that Baudesson is not defined by age nor by a single style. “Perhaps what has changed is that today it is much more diverse. At first we imagined a more concrete profile, but over time we have discovered that what connects our clients is not age or a given style, but a shared sensibility,” says Patricia.

That shared sensibility is, precisely, what allows the brand to connect with very different women. “We have clients aged 25 and 70, and they all share something very similar: they want to feel unique,” she adds. In that sense, Baudesson moves away from a rigid idea of age, trend or label. It proposes a more emotional way of dressing, less focused on looking like others and more centered on feeling like oneself.

And there is another important point: women no longer want garments that stay forgotten in the wardrobe after a wedding. “They want pieces they can wear for life and that are not kept in the special-occasion wardrobe,” adds Patricia. That’s why Baudesson insists that it is not a brand designed only for a particular guest or for a one-off event.

“We are a brand to accompany you in many moments of your life. Not only at a wedding, but also at an important meeting, a first date, a dinner with friends or any occasion worth remembering,” she summarizes. And that sentence very well defines the place Baudesson occupies: special garments, yes, but not doomed to a single occasion.

Emma Caldwell
Emma Caldwell
I’m Clara Desrosiers, a writer and fashion editor based in Toronto. I founded Backdoor Toronto to explore the intersection of fashion, identity, and culture through honest storytelling. My work is driven by curiosity, community, and a love for the creative pulse that defines this city.