“The most important thing about a dress is the woman who wears it.” Yves Saint Laurent always delighted us with his quotes filled with imagery, and I must apologize, because I still catch my breath after seeing the collection by Anthony Vaccarello for the French house — with rumors that it could be the last — especially to see how the first day of Paris Fashion Week continues to delight us with its characteristic savoir-faire.
The French call it “allure”; in my case, I prefer to call it style as an object of desire, because that is what I feel when I see each collection: an absolute fascination with craftsmanship and burning luxury. On this second day of Paris Fashion Week, we find the kickoff of Courrèges, followed by Balmain, Dries van Noten, Stella McCartney and the grand finale, Tom Ford.
Undoubtedly, there are still days ahead for us to discover the different trends and inspiration of the Spring-Summer 2027 season, where, without a doubt, the universe of each house is unique, and we must stay attentive to appreciate every detail, without forgetting the most important thing: fashion, as a beacon of hope. No matter what is said, this industry remains a world where fascination and dreams help us detach from the harsh reality.
Courrèges takes its minimalism into the realm of color and geometry
Courrèges maintains a clear commitment to minimalism in the debut of Drew Henry, with a succession of clean ensembles and a palette that gradually fills with color. The initial looks, carried forward through neutral tones and whites, with the maison’s logo, have become a game of geometry on the skin through V-necklines and voluminous skirts. It is there that we began to glimpse vibrant orange and Klein blue as part of that dynamism.
Color has undoubtedly been the protagonist of a collection that explores proportions and textures while not abandoning Courrèges’ refined language. Structured strips that resemble gears appear repeatedly on skirts and tops, creating a kind of geometric fringe that alters the silhouette. They are complemented by yellow headpieces, total looks in lime green, and colorfully hued accessories. A collection that plays with volume, color, and texture from the house’s minimalist essence.
Balmain embraces nocturnal sensuality through drapery and military codes
The initial looks by Antonin Tron for Balmain sketch a feminine, self-assured, yet deeply sensual woman, with an aesthetic shaped by Parisian nightlife. Draping becomes the main language of the show, especially in skirts and dresses, accompanied by shiny tops and satin garments. Black dominates part of the collection, but there are also deep greens and strokes of orange as a new hue.
Look de Balmain durante la Semana de la Moda de París.
Look de Balmain durante la Semana de la Moda de París.
Look de Balmain durante la Semana de la Moda de París.
Look de Balmain durante la Semana de la Moda de París.
This Balmain sensuality coexists with a robust construction close to the military aesthetic, manifested in defined shoulders and designs that seek to structure the body. Fully open shirts, shiny fabrics and necklines that give space to the woman who has control of her own image. A way for Tron to lead the French house through nocturnal femininity.
